Post-Minjung art
Jo Seub, 5.16, 2005 (Printed in 2007), Digital chromogenic color print on paper, 101×127cm. ed. 3/5. MMCA collection

Post-Minjung art

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A Korean artistic movement characterized by participation, which emerged following the decline of Minjung Art in the 1980s. The term and concept were particularly discussed in light of the attempts toward a critical restoration of Minjung Art during the late 1990s. Notable examples of the exponents of this concern include; Art groups such as the Seongnam Project, flyingCity, and Mixrice; and artists such as Park Chan-kyong, Cho Seub, Koh Seungwook, and Lim Minouk. These Post-Minjung artists criticized the theory-based reconstruction of political meaning within artistic production, use of class-based perspectives, and the Modernist anti-dialectic abandonment that characterized Minjung art. The movement adopted the pluralist rhetoric of the Western art community that was developed after the 1960s concerning conceptual art, site-specificity and institutional critique, identity politics, and installation practice. Post-Minjung artists also speculated on the use of new modes of realism that responded to the changed social, political, and economic conditions of Korea after the 1990s. Due to the influence of these artists, there has been substantial debate on whether all participatory art in 21st century Korea should be directly linked to the tradition of Minjung Art.
* Source: Multilingual Glossary of Korean Art. Korea Arts Management Service

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