Deoksugung Museum of Art
A term that refers to two separate art museums that have existed in the grounds of Deoksugung palace at different times. First, the Yi Royal Family Museum, which was built in 1938 and renamed the Deoksugung Museum of Art after independence in 1948. This iteration of the Museum was merged with the National Museum of Korea in 1969. Separately, in 1998 a branch of the National Museum of Contemporary Art, Korea (now MMCA) was established at this location, and also named the Deoksugung Museum of Art. In 2013, the official name of the branch was changed to the National Museum of Modern and Contemporary Art, Deoksugung but some people still use the previous name, Deoksugung Museum of Art.
Korean Avant Garde Association (AG)
An art group formed in 1969 and active until 1975 that promoted avant-garde art. The group elevated the concept of avant-garde to the forefront of Korean contemporary art. It’s members explored and developed new style of sculpture, and sought to contribute to the development of a new Korean art culture. The group published the periodical AG, which centered on artists, sculptors, and art critics in their thirties, and through the periodical, the group introduced new oversea trends to Korea and explored the theory and concepts behind avant-garde aesthetics. The group is regarded as responsible for introducing conceptual and formal diversity to Korean contemporary art, through a transition of artistic values, the active use of new materials, and helping to foment a wider public understanding of new trends within contemporary art.
Experimental art
A genre of Korean art characterized by non-two-dimensional work such as sculpture, environmental installation and performance that emerged in the late 1960s and continued over the course of the 1970s. Art historian Kim Mikyung has analyzed the movement in the context of the political and social phenomena of the time and first coined the term experimental art to describe such work.