Photo Artists Society of Korea
The Photo Artist Society of Korea is a group of photographers formed in December 1961 to promote the development of Korean photography culture, international exchanges, and the rights and interests of its members. Photographer Jeong Huiseop was appointed as the first chairman of the board, and major Korean photographers such as Park Pilho, Lee Haesun, Choi Kyebok, Lee Myeongdong, Lee Gyeongmo, Mun Seonho, Seo Sunsam, Jeong Doseon, Hyun Ilyeong, and Limb Eungsik served as executives. It is a non-profit corporation under the jurisdiction of the Ministry of Culture, Sports and Tourism, and currently has 9,400 amateur and professional photographers working as members. The headquarters are located in Yangcheon-gu, Seoul, and it has 168 branches in major cities and overseas countries. It continues to host the Korea Photography Festival every year and conducts various projects for members of the association, including photography courses, contests, photography competitions, book publishing, and photo culture awards.
Salon Ars
A photography group established in 1960. The group received attention after the first exhibition was held in 1961. Former members of the Shinseonhoe participated in the group, including Lee Hyungrok, Chung Bumtai, Lee Sanggyu, Kim Yeolsu, Shin Seokhan, and Kim Haeng-o. The group sought to retain the interest in realism espoused by the Shinseonhoe, while improving upon the lack of formativeness and creativity that the group was criticized for. To this end, in their photographic images, the group emphasized the contrast between light and dark and layouts that emphasized formativeness and simplistic placement of objects. Salon Ars disbanded after their inaugural exhibition, however, its membership remained active as part of the Modern Photography Society.
Busan Art Photography Research Society
Busan Art Photography Research Society [Busan yesulsajin yeonguhoe, BAPRS] was founded in May 1947 in Busan with the Busan Photographic Society [Busan gwanghwahoe], which was established in April 1946 by Limb Eungsik, as the predecessor. In May 1947, the Busan Photographic Society [Busan Gwanghwahoe] held a Citizen Photo Contest at Yongdusan Park, and it was a great turnout with well over 100 photography enthusiasts in attendance. This led the Busan Photographic Society to be renamed the Busan Art Photography Research Society and to promote group activities. At the time of its foundation, Limb Eungsik served as the president, Lee Geumecheol as the vice-present, and Ko Jongik as the secretary. Its first member exhibition was held in January 1948, and the second one was held in December of the same year. BAPRS also published its magazine Areusseu sajin nyus (Arts photo news), providing a stage for the activities of amateur and professional photographers in Busan and the Gyeongsangnam-do region. When the Korean War broke out in 1950 and many photographers moved to the temporary capital Busan, BAPRS held a joint photo exhibition in collaboration with the Korean Photographic Art Research Association [Daehan sajin yesul yeonguhoe], a leading photographer organization in Seoul, in June 1952 at Mihwadang Department Store in Busan. This encouraged photographers who gathered in Busan from across the country to establish the Photo Artists Society of Korea [Hanguk sajin jakga hyeophoe], a leading Korean photography organization connecting the capital and local provinces. Later, BAPRS carried on its legacy as the Gyeongnam branch of the Photo Artists Society of Korea.
Modern Photography Society
The Modern Photography Society was formed by young photographers in their 20s and 30s in 1960. Its establishment was led by Lee Hyungrok of Salon Ars. The group was formed to produce photographers and provide a foundation for the membership of Salon Ars. Its instructors included Lee Hyungrok, Chung Bumtai, Kim Haeng-o, and Lee Sanggyu. The members were active in the field for a set period, and if their work was recognized, they became eligible to join Salon Ars. This method had significant implications in that it helped to produce professional photographers in an era that lacked a relevant public education system. In August 1964, the group first published the periodical Saan, which shared the current activities of its membership. The membership also published individual research on photography, sharing information on the discipline. The periodical was discontinued following its 10th issue in 1966.
Contemporary photography
Contemporary photography differs from a modernist approach to photography that highlighted the technical qualities of the image. Robert Frank’s photograph collection The American published in 1959, is considered a turning point in indicating a new style based on idiosyncratically cropped images and unusual focus. Contemporary photography became prevalent when conceptual art emerged between the 1960s and the 1970s. The New Wave of the Photography exhibition, which opened at the Walker Hill Art Center in Seoul on May 18th, 1988, is considered as marking the starting point of Korean contemporary photography. The Horizon of Korean Photography exhibition at the Total Museum of Contemporary Art in Jangheung, Gyeonggi-do in November 1991 provided a further turning point. The founding of galleries specializing in photography, including the Timespace, Pine Hill Gallery, and Hanmadang Gallery, has also contributed greatly to the popularity of contemporary photography in Korea. Over the last 30 years, many foreign-educated photographers like Koo Bohnchang, Kim Daesoo, Lee Juyong, Lim Youngkyun, Han Okran, and Choi Kwangho have returned to Korea and released works reflecting new trends in the medium and further enhancing its national status as a contemporary art form.