Cultural Exhibition in Commemoration of Korean Liberation
* Source: MMCA
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Korean Federation of Cultural Organizations
A cultural organization formed in 24 February 1946, also known as Munryeon. The alliance represented a total of 25 cultural organizations established after independence. Its membership comprised a total of 13 scholarly organizations, including the Joseon Haksulwon, Joseon Scientists Federation, Joseon Institute of Industry and Medicine, Joseon Institute of Legal Scholars, Joseon Linguistics Institute, and Joseon Institute of Women Scientists; a total of 9 art organizations, including the Korean Writers Federation, Joseon Theater Federation, Joseon Music Federation, Joseon Film Federation, and the Joseon Art Federation; and the Joseon Journalists Association, Joseon Educators Association, and Joseon Sports Association. The Munryeon's concerns included encouraging the rightful succession of national culture, a critical consumption of world culture, the importation and research of advanced scientific method, the development of new theories, democratic education of the masses, scientific enlightenment, and the exclusion of unscientific and undemocratic cultural tendencies. The group expressed support for the National Democratic Front. As such, right-wing members left the group and formed the Federation of Artistic & Cultural Organization.
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Korean Artist Federation
An organization formed in February 1946 under the leadership of Kim Jukyung, Lee Insung, and Oh Chiho, who had recently left the Korean Art Association (Joseon misul hyeophoe). Additionally, numerous members of the Korean Art Alliance (Joseon misul dongmaeng) also joined the organization. The president of the Korean Art Association, Ko Huidong, became a member of the Citizens Emergency Council, a group closely aligned with Rhee Syngman, despite his claims to political neutrality. This drew criticism from the artists of the Korean Artists Association and provided the impetus for the establishment of the Korean Artist Federation (Joseon misulga dongmaeng). The governing body was the Central Executive Committee, which oversaw seven departments: the Painting Department, Art Critique Department, Children’s Art Department, Art Education Department, Performing Arts Department, Sculpture Department, and Crafts Department. The organization followed a five-point doctrine: First, eliminate the remnant influences of the Japanese Empire; second, reject all nationalistic and decadent artistic trends; third, establish a new movement of national art; fourth, form a partnership with the international art community; and fifth, attempt to achieve enlightenment of the general population through art and the education of future artists. The inaugural exhibition was from June 24 to June 31, 1946, at the Hwasin Gallery. In addition to exhibitions, the group also engaged in the production of promotional art, such as posters for the Democratic People’s Front.
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Korean Plastic Arts Federation
An organization formed in 1946 by numerous established artists. The core membership included Jeong Hyeonung, Gil Jinseop, Kim Kichang, Kim Man-hyeong, Lee Qoede, and Yoon Hee-soon, who left the Korean Art Association (Joseon misul hyeophoe) because of their opposition to the right-wing beliefs of Ko Huidong. The association was the parent organization of the Independent Art Association, Dangu Art Academy, Cheongahoe, Joseon Sculptors Association, and Korean Craftspersons Association (Joseon gongyega hyeophoe). The alliance held exhibitions and published bulletins, but about eight months after its establishment, it merged with the Korean Artist Federation (Joseon misulga dongmaeng) to form the Korean Art Alliance (Joseon misul dongmaeng). The Korean Plastic Arts Federation (Joseon johyeong yesul dongmaeng) was a rare politically moderate organization that accepted many artists in a national art community that was sharply divided along right-wing and left-wing divisions.
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