Gangwon Provincial Contemporary Art FestivalCatalogue, 1977, MMCA Digital Library
Gangwon Provincial Contemporary Art Festival
* Source: MMCA
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Seoul Contemporary Art Festival
The Seoul Contemporary Art Festival was a large-scale art festival held since 1975 by avant-garde artists of the time to counter the academism of the National Art Exhibition (Gukjeon). The first festival was held from December 16 through 22, 1975 at the National Museum of Modern Art, Korea (now MMCA). Ninety-six artists were invited with the operating committee consisting of Kim Kulim, Park Seo-Bo, Shim Moonseup, Yun Hyongkeun, Lee Kangso, Lee Seungjio, Jung Yungyul, Choi Daesup, Choi Kiwon, and Ha Indoo. According to the exhibition mission statement included in the catalogue of the first Seoul Contemporary Art Festival, the festival was originally established in December 1972 with the goal of providing a common platform for the participation of all creative contemporary artists, but due to various reasons, the holding of the festival was postponed until 1975. The number of the operating committee members for the second edition in August 1976 doubled from the ten people in the first edition. They were Kim Kulim, Kim Chonghak, Kim Chanshik, Park Seo-Bo, Park Suk-won, Suh Seungwon, Shim Moonseup, Youn Myeungro, Yun Hyongkeun, Lee Kangso, Lee Seungjio, Jung Yungyul, Chung Changsup, Cho Yongik, Choi Kiwon, Choi Daesup, Choi Manlin, Choi Myoungyoung, Ha Indoo, and Ha Chonghyun. At the meeting of the operating committee, the overall exhibition plan was discussed and invited artists were selected. In the process, the festival strove to discover new talents on a national scale who were in tune with both Korean and international art trends.
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Gwangju Contemporary Art Festival
The Gwangju Contemporary Art Festival was a group exhibition held from 1976 until 1988 in Gwangju. In the mid-1970s, regional contemporary art festivals began to burgeon in Daegu, Busan, Gangwon, Gwangju, and other regions in opposition to the centralization of Korean art. In this context, the first Gwangju Contemporary Art Festival was hosted by the Epoque, an abstract art organization in Gwangju. The festival was held from September 15 through 21, 1976 at the Jeonil Museum of Art in Gwangju. At the festival, sixty-five artists presented mainly two-dimensional works. The second edition was held October 24 through 30, 1977 at the Jeonil Museum of Art, and 125 artists showcased paintings, sculptures, and prints. The third edition, comprised of both outdoor and indoor exhibitions, was organized under the theme of “nature + three-dimensionality.” It was staged as an outdoor exhibition on March 3, 1985, in the Gwangju National Museum grounds and as an indoor exhibition from March 17 through 30 at the Hyeonsan Museum of Art. A total of twenty-three artists participated in the third edition. Most of displayed works were experimental installations. In his essay “Transformation through New Experiments” in the catalogue, Chang Sukwon wrote that the participating artists would bring newness once again after the Epoque generation. In the fourth edition held from June 25 through 29, 1986 at Gwangju Namdo Art Hall in Gwangju, forty artists participated. The festival was dominated by two-dimensional abstract works. The fifth edition was held from February 8 through 13, 1988 at Gwangju Namdo Art Hall in Gwangju under the theme of the “On the Paper Wave,” and thirty-eight artists took part in it. The Gwangju Contemporary Art Festival discontinued afterward. However, it introduced Gwangju artists in the 1970s and 1980s. Its fresh attempts made in the third and fifth editions enriched local art history.
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Daegu Contemporary Art Festival
The Daegu Contemporary Art Festival was an annual contemporary art festival held in Daegu between 1974 and 1979. Three-dimensional works and paintings were frequently presented in the festival. The first exhibition (1974) and second exhibitions were primarily held in indoor exhibition halls, but the third exhibition expanded its venue to include both indoor and outdoor spaces. This third exhibition was divided into two parts, a major component of which was Lee Kangso, Park Hyunki, Chong Jaekyoo, Lee Jongyoon, and Jang Jeongjin’s collective outdoors piece titled Event in Nature. In addition, the Korean Art Association board members, including Park Seobo and Ha Chonghyun, came to Daegu to moderate a panel discussion about contemporary art and the concerns of avant-garde artists for the third exhibition. In the fourth exhibition, a significant inclusion was the video works of Park Hyunki, Kim Deoknyun, and Kim Youngjin, while in the fifth and final iteration of the festival, Lee Kun-Yong reenacted his piece Logic of Place, initially staged at the AG Exhibition (1975). In the contemporary period, The Gangjeong Daegu Contemporary Art Festival (Gangjeong daegu hyundae misulje), incepted in 2012, has continued in its tradition.
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