Korean Artist Federation
An organization formed in February 1946 under the leadership of Kim Jukyung, Lee Insung, and Oh Chiho, who had recently left the Korean Art Association (Joseon misul hyeophoe). Additionally, numerous members of the Korean Art Alliance (Joseon misul dongmaeng) also joined the organization. The president of the Korean Art Association, Ko Huidong, became a member of the Citizens Emergency Council, a group closely aligned with Rhee Syngman, despite his claims to political neutrality. This drew criticism from the artists of the Korean Artists Association and provided the impetus for the establishment of the Korean Artist Federation (Joseon misulga dongmaeng). The governing body was the Central Executive Committee, which oversaw seven departments: the Painting Department, Art Critique Department, Children’s Art Department, Art Education Department, Performing Arts Department, Sculpture Department, and Crafts Department. The organization followed a five-point doctrine: First, eliminate the remnant influences of the Japanese Empire; second, reject all nationalistic and decadent artistic trends; third, establish a new movement of national art; fourth, form a partnership with the international art community; and fifth, attempt to achieve enlightenment of the general population through art and the education of future artists. The inaugural exhibition was from June 24 to June 31, 1946, at the Hwasin Gallery. In addition to exhibitions, the group also engaged in the production of promotional art, such as posters for the Democratic People’s Front.
Korean Plastic Arts Federation
An organization formed in 1946 by numerous established artists. The core membership included Jeong Hyeonung, Gil Jinseop, Kim Kichang, Kim Man-hyeong, Lee Qoede, and Yoon Hee-soon, who left the Korean Art Association (Joseon misul hyeophoe) because of their opposition to the right-wing beliefs of Ko Huidong. The association was the parent organization of the Independent Art Association, Dangu Art Academy, Cheongahoe, Joseon Sculptors Association, and Korean Craftspersons Association (Joseon gongyega hyeophoe). The alliance held exhibitions and published bulletins, but about eight months after its establishment, it merged with the Korean Artist Federation (Joseon misulga dongmaeng) to form the Korean Art Alliance (Joseon misul dongmaeng). The Korean Plastic Arts Federation (Joseon johyeong yesul dongmaeng) was a rare politically moderate organization that accepted many artists in a national art community that was sharply divided along right-wing and left-wing divisions.
Korean Art Alliance
An organization created in 1946 in North Korea. as the result of a merger between the socialist Korean Artist Federation (Joseon misulga dongmaeng), the politically moderate Korean Plastic Arts Federation (Joseon johyeong yesul dongmaeng), the Joseon Sculpture Association, and former members of the Korean Art Association (Joseon misul hyeophoe). Together, these associations collaborated to host an Independence Cultural Art Exhibition and founded the Korean Art Alliance (Joseon misul dongmaeng). The Alliance actively conducted enlightenment activities under the doctrine of “Art for Public Awareness” and leftist artists were the primary members. The leadership of the Alliance was comprised of Yoon Hee-soon, Lee Insung, Oh Chiho, and Gil Jinseop. The Alliance’s doctrines included the implementation of democracy, departure from the influences of imperialism, establishment of National Art, and the enlightenment of the populace. The Alliance engaged in raising public awareness about modern art through activities such as street exhibitions, touring exhibitions, and the production of posters and leaflets. The Korean Art Alliance (Joseon misul dongmaeng) was an influential faction within the art community of the 1940s, raising public awareness about art and issuing statements on political events before disbanding in 1948.