Chang Louis Pal
Limb Eungsik, Portrait of Chang Louis Pal, 1953, Gelatin silver print on paper, 26x32cm. MMCA collection

Chang Louis Pal

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Chang Louis Pal (1901-2001) was the first Korean artist of religious paintings and an art educator. He was born into a second-generation Catholic family as the second son of Hwang Lucia and Chang Gibin, who moved from Pyongnam to Incheon and worked at the maritime customs office. He studied under Ko Huidong at Whimoon High School. At the time of graduation, he became a member of the Goryeo Painting Association [Goryeo hwahoe]. In 1920, he enrolled in the Western Painting Department at the Tokyo School of Fine Arts, but in 1921 he moved to the U.S. and studied for a year at the New York National Academy of Design. From 1923 through 1925, he took practical and theoretical art courses provided by the Art Department of the School of Practical Arts at Columbia University’s Teachers College. On their way back home from studying abroad in 1925, he and his older brother Chang Myon stopped at the Vatican and attended the ceremony for the beatification of seventy-nine blessed Korean martyrs. After returning to Korea, Chang participated in the Calligraphy and Painting Association [Seohwa hyeophoe] exhibition and the Mogilhoe Association. At the same time, he focused on creating religious paintings. He served as a teacher at Whimoon High School, Gyeongsin High School, and the Dongseong Commercial School and as the first principal at Gyemyeong Girls’ Commercial Training School. After Korea’s liberation from Japan, he was appointed to the head of the Education Bureau of the U.S. military government. While working there, he established the Art Department within the College of Fine Arts of Seoul National University and became the dean of the College of Fine Arts. He was also influential in art administration, as shown in the establishment of the National Art Exhibition (Gukjeon) and his participation in the Arts Council. In 1950, he founded the Korean Catholic Artists Association; in 1955, he led the formation of Korean Artists Association [Hanguk misulga hyeophoe]; and in 1960, he supervised the design of Hyehwa-dong Cathedral and the production of its sculptures. Among his notable works are Saint Sisters Kim Colomba and Kim Agnes (1925), Fourteen Apostles (1925–1926), a mural for the altar in Myeongdong Cathedral, Saint Kim Daegeon Andrea (1928), Christ Crucified (1941), and The Annunciation (1945), an altar painting at the Convent of the Order of Discalced Carmelite. In 1961, he resigned from his teaching position and was about to be appointed Ambassador Extraordinary and Plenipotentiary to Italy, but his political career was thwarted by the May 16 military coup d'état. After emigrating to the U.S. in 1964, he held a solo exhibition at Shinsegae Gallery in 1976 with his abstract expressionistic works. He died at his home in Pittsburgh, Pennsylvania, on April 8, 2001, five days after celebrating his 100th birthday.
* Source: MMCA

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